Gravity Review: Alfonso Cuarón Restores the Power of the Big Screen That loathed lot, film critics, have been waxing lyrical over Alfonso Cuarón’s “Gravity” since the eagerly awaited space drama began its film festival life over the late summer. It is especially worrisome to achieve such praise before release, which tends to usher in an additional wave of snarky backlash. (Are you reading this, Bret Easton Ellis?) Yet, the Mexican-born Cuarón continues to personify the global power of filmmaking in a style all his own. With “Gravity,” he challenges the conventions of film, as well as the audience to create a truly immersive viewing experience. This visually arresting and nail-biting narrative of astronauts in peril in space has been deservedly hailed as a technical marvel. However, what elevates “Gravity” even higher is the tangible humanity embodied by Oscar winners George Clooney, and especially, Sandra Bullock. A startling two-hander narrative, “Gravity” plays like a gripping piece of short fiction. A relentless rumination of life and death after a brutal space shuttle accident, the film is fueled by the simple question, “Will they survive?” Both Clooney and Bullock understand the true “gravity” of their predicament, not just as characters but also as actors. Cast adrift in the inky void, the duo is the only pair of human beings seen on screen, telegraphing every emotion imaginable with poignant realism. The choice of Clooney and Bullock may seem to underserve the delicacy of the film due to their superstar status. However, as the tension mounts with every second these characters remain floating through space, it’s the familiarity of their voices that actually makes the escalating tension bearable at crucial points. More, with their physical selves often obfuscated by their space suits or the camera language by long shots, the importance of their voices ultimately holds much of the dramatic weight of the film. Every measured breath is a precarious inch closer to death, an expression of fear or of momentary relief. Clooney and Bullock have never been more human or accessible in a film. Without question, they are the heart and soul required by the richly nuanced, but spare screenplay written by Cuarón and his son, Jonás. While some critics may cry “Gravity” is much ado about nothing, even they cannot dismiss the technical achievements of Cuarón and his team. Space has never looked so beautiful or menacing or so close to Earth. Even more, the sonic component of the film plays an even great role is transporting audiences into a world so dangerous yet inspiring. It is interesting to have “Gravity” in an era where being connected to technology has never made humanity seem so far apart. Certainly it was technology that helped realize such a complex vision. But its core, Bullock’s performance represents the importance of being grounded and close to those we hold dear on Earth, even as we marvel at the scope and beauty of space. Much more will be written and discussed about “Gravity” once it opens in cinemas on October 4. Audiences, too, will have their own opinions as they begin to offer their thoughts on the film. Yet, positive or negative the response, without question, “Gravity” is one of Cuaron’s most unforgettable films. But, do yourself a favor. Forget the handheld efficiency of the day and commit to something that is a singular experience. You will discover that “Gravity” restores the power of the big screen in a way you’ve never imagined. “Gravity” is in theaters now.
